One Piece: Chapter 868- Review

Of course they failed! In all honesty, I feel like somewhat of an idiot for believing that Oda was done addressing Big Mom’s backstory for the time being. The way he intertwined her continuing past narrative with the current action was outstanding. Although this chapter wasn’t quite as potent as its predecessor, there is still quite a bit to discuss. For simplicities sake, I will be addressing the backstory first, and finishing up with the minimal main narrative progression we did receive.

It was revealed that Linlin, Mother Caramel, and the rest of the orphans weren’t alone on the day of the cannibalism incident. Unbenounced to each other, two spectators witnessed this gruesome event, both equal in importance for current affairs.

The first was a giant from Elbaf, who came to check in on the new Lamb’s House. So disgusted by what he witnessed, he immediately fled back to Elbaf, where he informed the rest of the giants of the horrors he had seen. Big Mom became such a repugnant figure amongst their community that they do not even speak of her by name. Oda was quite clever in including this witness. As we now know Big Mom will probably not be killed during this arc, it is very likely she will be an extremely relevant character in the inevitable Elbaf arc. This giant, as well as the giants he informed, may be the ones to provide this crucial context to the Straw Hats once they arrive in the kingdom.

While the first witness was there to be a conduit for future events, the second helped to shape the basis for the current circumstances. Big Mom’s head chef, Streusen, was, at the time, marooned on this island. Finding the incident comedic, he saw potential in manipulating the young Linlin, and became her ally. Together, they would come to build what is now the Big Mom Pirate Empire. I always love when Oda takes a character of minuscule importance and embeds them with relevancy. It manages to make characters that would typically be forgotten amongst the sheer massiveness of One Piece’s cast more memorable (see Super Eyepatch Wolf’s discussion of Senior Pink for a perfect example). The subtextual character development here is tremendous. Streusen must be a man of astounding patience and intrepidity, working with someone as volatile as Big Mom for over 60 years.

The pirate empire the two formed had to start somewhere. The theories were correct, the island that Mother Caramel built the second Lamb’s House on would eventually become the capital of Big Mom’s territory, Whole Cake Island. The revelation doesn’t stop there. As I predicted, Mother Caramel was the one who sparked Big Mom’s goal of building a melting pot country. Through her insincere rhetoric, Caramel instilled the idea that would become the cornerstone of Linlin’s entire pirate career. If Caramel were a genuine individual, this would be an utterly touching scene. Our understanding of her true intentions, however, makes this revelation profoundly disturbing; Big Mom’s empire is built entirely on lies.

A subtextual, but not irrelevant reveal followed soon after. Linlin boasting that she performed “the trick that mother did,” without having been shown consuming a devil fruit that grew nearby helps prove that eating a devil fruit user can transfer their power. This not only provides new lore to the One Piece universe but may even provide context to a significant past event.

Note: the following idea comes from Best Guy Ever, a host on the Po D. Cast (which if you haven’t checked out yet, you unquestionably should, it’s the best One Piece podcast out there). His genius theory harkens back to the Paramount War saga. During the Battle of Marineford, Blackbeard concealed himself and a dying Whitebeard under a large black cloth. After several minutes, Blackbeard emerged with Whitebeard’s devil fruit ability in tow. Nate theorized that, under the blanket, Blackbeard must have eaten a piece of Whitebeard’s body. Although it isn’t perfectly sound, I personally find this theory plausible.

Enough theory crafting, back to the chapter at hand. Since we’ve addressed all the important details from the backstory segments, let’s move on to the current narrative.

Big Mom has hit a point of such immense, unprecedented rage, that her haki destroys the bullets flying at her, immediately halting the assassination plan. Even if Bege had extra bullets, the haki waves shattered their weapons. With Big Mom Pirates commanders closing in, it was imperative that the Straw Hats and Fire Tanks fled into the mirror world immediately. Sure enough, in a surprisingly hilarious scene, the entrance mirror was smashed by the haki waves.

At first I thought Bege’s auxiliary escape method (his castle being a sentient homie) was shoddy writing on Oda’s behalf. After further analysis, I discerned that there’s absolutely nothing wrong with this reveal. It is perfectly characteristic of Bege to have a backup plan that he wouldn’t share with the Straw Hats unless absolutely necessary. Since he’s someone who is known for his betrayals and mafia-esque tendencies, I really don’t think the writing is contrived here. Let’s hope it stays that way as the alliance continues their escape next chapter.

How Moana Messed Me Up

When I think about movies I want to see in theaters, I place them in one of three categories. There’s the top tier- movies I must see in theaters, maybe even opening night. Then comes middle tier- movies I would like to see in theaters, but will take my time to see. Finally, at the bottom tier comes movies I will see if invited or if bored with a friend.

Despite being a new Disney animated feature, Moana fell into the third tier for me. I really don’t know why it did, I’m usually the first one out the door when it comes to Disney Studios and Pixar films. I think it may have just been a sheer lack of someone to convince me to see it. The last day before my good friend Zack (go check out his YouTube channel 123zc1, it’s well worth your time) and I left for the semester, we had a few hours to kill. We made a last minute decision to finally see Moana, and boy was that decision well made.

Moana is not the best Disney film by any means. Movies like The Lion King and The Hunchback of Notre Dame take that position. However, it is by far the one I’ve personally connected with the most, making it my hands down favorite. I can definitely say that Zack felt very similarly, but at a stronger level, as he was crying throughout most of the movie.

I’m entering a crossroads in my life that has put me in existential disarray. I will be graduating college, and entering the “real world” this year. I know that I will have to get a 9-5 job, and probably live with my parents until I can save up enough to leave Florida. Although not thrilled, I have come to terms with this seemingly inevitable future. This is the path for someone with a passion that does not lead directly to a sustainable career. Don’t get me wrong, I do have a driving passion in my life. Since a very young age, I have always wanted to be an author. Writing fictional stories is my calling. My characters live in my mind like real friends and family, becoming fully realized even before they are put to paper. Having written my first novel last year, I can tell you firsthand that there is nothing more thrilling and satisfying then acting upon your passion.

I can’t talk about the experience of seeing Moana at this time in my life without talking about the accompanying short film. Inner Workings follows the story of a man who is living the exact path I face. The moral of the short is that you have to include little things in your 9-5 office life that make you happy, or else you’ll be miserable. However, I’ve had some influences in my life over the past year that have made this short mean a bit more to me. The Pro Crastinators are a group of YouTube content creators that have served as my main creative influence and entertainment source over the past year or so. Each member serves as a shining beacon of success from abandoning the normal path, and focusing their entire lives on their creative passions. Whether it be anime analysis, writing/drawing comics, or documenting their slow path towards insanity on video, they have embraced their true purpose, and abandoned their ties to the typical life structure that society enforces. In other words, they are a very hedonistic, but intelligent bunch. They would take Inner Workings, and throw it in the trash. I can’t say whether the Pro Crastinators are the angel or the devil on my shoulder. What I can say is that Inner Workings falls right alongside with the ideals of my parents, grandparents, and mentors/advisors, who all believe that a stable 9-5 job is the way to go. Just add a few small things that give you joy and you’re good to go.

If Inner Workings represents the ideals of my family, Moana is the mindset of the Pro Crastintors. The very meaning behind the entire plot of the film is to ignore what society deems to be the correct life path, and follow the passion you have in your heart. Moana has a deep-seated desire to explore the ocean. However, her entire family and village swears by never leaving the island they inhabit, and fulfilling the traditional life path that they have all taken. The only human character who encourages Moana to act on her passion is her grandmother. Gramma Tala is to Moana what Jesse Wood is to me: the voice on one of my shoulders telling me to screw society and follow my passion for writing fiction. While the ocean in the film is a literal entity that calls to Moana from inside her heart, it is clearly symbolic of her internal passion.

I would like you to read the following lyrics. They are to one of the climatic songs of the film, I Am Moana. The first stanza is the ghost of Moana’s grandmother singing to her (I believe this ghost not to literally be present, but in her head). The second stanza is of Moana herself responding. I believe these words perfectly reflect the entire point of Moana as a work of art, and hope you agree:

 

I know a girl from an island

She stands apart from the crowd

She loves the sea and her people

She makes her whole family proud

Sometimes the world seems against you

The journey may leave a scar

But scars can heal and reveal just

Where you are

The people you love will change you

The things you have learned will guide you

And nothing on earth can silence

The quiet voice still inside you

And when that voice starts to whisper

Moana, you’ve come so far

Moana, listen

Do you know who you are?

 

Who am I?

I am a girl who loves my island

I’m the girl who loves the sea

It calls me

I am the daughter of the village chief

We are descended from voyagers

Who found their way across the world

They call me

I’ve delivered us to where we are

I have journeyed farther

I am everything I’ve learned and more

Still it calls me

And the call isn’t out there at all, it’s inside me

It’s like the tide; always falling and rising

I will carry you here in my heart you’ll remind me

That come what may

I know the way

I am Moana!

 

I just need to replace all the specifics of the lyrics with things about me, and this song becomes about me. That’s the beauty of Moana as a piece of cinema. The film is made for self insert; you can’t help yourself but look at everything metaphorically. You can replace the plot elements, setting, specific passions, and characters with things that apply to you, and the story still works. Moana is the story of a girl following the voice inside her heart, and embracing her true passion. That’s the most inspiring thing imaginable to me, and that’s why this movie messed me up.